The scope of this thesis is to make visible different female figurations in literary ouvre of Janko Polić Kamov. There are two kinds of settings according to which we extricate the marked term female: first is the one of previously noted female characters, mostly petrified and unmoved by any literary critical strategy used to describe those entities in Polić's litarary work, which stand as a female measure of difference. The second setting concernes the string of male literary constructs as realised and read so far in Polić's ouvre, and its positioning regarding female figurations which differ in significant manner form the traditional patriarchal coding of gender differences. Metodology used to enhance female figurations is based on Deleuze's understanding of the concept of becomming – as well as Butler's understanding gender as a performative attainment.