Cilj je ovome radu izlučiti i predstaviti različite figuracije žena književnog opusa Janka Polića Kamova. Markiranost leksema žena proizlazi iz dvostruko supostavljena čitanja: žene se ovoga opusa supostavljaju, s jedne strane, petrificiranim 'slikama' žena unutar dosadašnjih književnoteorijskih zapisa, a koji zastiru dinamike i silnice koje utječu na figuriranje drugačijih literarnih identiteta. Također, izdvojene figure suprotstavljene su literarno realiziranim konstruktima muškosti, no na način drugačiji od patrijarhalnog kodiranja spolnih/rodnih uloga. Metodološki instrumentarij kojim je moguće razlučiti ovakve dinamičke sastavnice Polićeva književnog djela zasniva se na pojmovima postajanja – Gillesa Deleuzea, te razumijevanju roda kao performativnog postignuća kako to predlaže Judith Butler.

The scope of this thesis is to make visible different female figurations in literary ouvre of Janko Polić Kamov. There are two kinds of settings according to which we extricate the marked term female: first is the one of previously noted female characters, mostly petrified and unmoved by any literary critical strategy used to describe those entities in Polić's litarary work, which stand as a female measure of difference. The second setting concernes the string of male literary constructs as realised and read so far in Polić's ouvre, and its positioning regarding female figurations which differ in significant manner form the traditional patriarchal coding of gender differences. Metodology used to enhance female figurations is based on Deleuze's understanding of the concept of becomming – as well as Butler's understanding gender as a performative attainment.