doctoral thesis
Corpus and poetic positioning of Vanja Radauš's literature

Vlasta Markasović (2013)
Sveučilište Josipa Jurja Strossmayera u Osijeku
Filozofski fakultet
Metadata
TitleKorpusno i poetičko pozicioniranje književnoga stvaralaštva Vanje Radauša
AuthorVlasta Markasović
Mentor(s)Goran Rem
Abstract
Predmet ovoga istraživanja je književno stvaralaštvo Ivana Vanje Radauša (Vinkovci, 1906. – Zagreb, 1975.), poznatoga hrvatskog kipara i likovnog umjetnika. Književni opus ostao je najvećim dijelom u rukopisu pa se promatra kao slijepa pjega hrvatskoga književnog korpusa. Rad će se temeljiti na proučavanju objelodanjenih zbirki i rukopisne ostavštine iz Fonda Radauš koji se nalazi u DAVU u Arhivskom sabirnom centru Vinkovci. Cilj je istraživanja korpusno i poetički pozicionirati ovo književno stvaralaštvo. To će se učiniti usporedbom s tipologijama razdoblja hrvatske književnosti druge polovice 20. st. Rad analizira temeljne poetsko-poetičke odrednice književnog opusa izlučujući njegove duhovne etimone povijest, nasilje i naslijeđe te ustanovljuje njihove dodire s postmodernim načinom mišljenja, posebice na instancama dekonstrukcije povijesti, utopizma, antiutopizma i apokaliptičnosti te arheomitske slojevitosti teksta. Postavljena teza o pozicioniranju opusa dokazuje se usporedbom s pjesništvom šezdesetih i sedamdesetih. Radaušev književni opus svrstava se dijelom kao prijelazni između ontološke i gnoseološke matrice, a dijelom kao prianjanjući uz ontološku matricu. Teza o Radauševom pjesništvu kao protopostmodernističkom dokazuje se potkrijepom temeljnih odrednica postmoderne i postmodernog pjesništva. Ispituje se decentriranost i slabost lirskoga subjekta, skepsa u ideologije, nepovjerenje u velike naracije. Propituje se interteksutalnost, intermedijalnost, dodir sa semiotičkim pjesništvom i ludizam, vizualnost i grafizam stihovlja. Na poslijetku, Radauševo se pjesništvo pozicionira kao pripadno slavonskome dijelu korpusa hrvatske književnosti i još užem, šokačkom dijelu. Tvrdnja se ovjerava temeljnim panonističkim obilježjima tekstova i dijalekatski.
Keywordspoetic-poetry determinants etymons inheritance violence protopostmodernism panonism literature of Šokci
Parallel title (English)Corpus and poetic positioning of Vanja Radauš's literature
Committee MembersRužica Pšihistal (committee chairperson)
Dinko Šokčević (committee member)
GranterSveučilište Josipa Jurja Strossmayera u Osijeku
Filozofski fakultet
PlaceOsijek
StateCroatia
Scientific field, discipline, subdisciplineHUMANISTIC SCIENCES
Philology
Theory and History of Literature
UDK821.163.42
LANGUAGE. LINGUISTICS. LITERATURE
Croatian literature
Study programme typeuniversity
Study levelpostgraduate
Study programmeLiterature and Cultural Identity
Academic title abbreviationdr. sc.
Genredoctoral thesis
Language Croatian
Defense date2013-12-12
Parallel abstract (English)
Subject of this research is literary creation of Ivana Vanja Raduš (Vinkovci, 1906 – Zagreb, 1975), a prominent Croatian sculptor and a visual artist. His literary work has remained mostly in manuscripts, so it is considered to be a blind spot of Croatian literary corpus. This thesis will be based on researching of public-procurable collections and manuscripts, provided from Fond Radauš which is found in State Archives in Vukovar of Archives Collecting Center Vinkovci. The main goal of research is to position this literary creation by corpus and poetics. This will be achieved by comparing period typologies of Croatian 20th Century literature. This thesis analyzes basic poetic-poetry determinants of literary opus, exuding their spiritual etymons – history, violence and inheritance, and establishes their contact with postmodern way of thinking, especially on instances of history deconstruction, utopianism, anti-utopianism and apocalyptic and archeomythical layering of text. Set thesis about opus positioning is proved by comparing poetry of 1960s and 1970s. Radauš’s literary opus classifies as transitional between ontological and gnosiological matrix, and as well as adherent to ontological matrix. Thesis on Radauš’s proto-postmodernist poetry is proved by corroboration of basic determinants of postmodern and postmodernist poetry. Analysis is performed on the weakness of lyrical subject and on non-centered characteristic of it, skepticism in ideologies, lack of trust in great narrations, intertextuality, intermediality, contact with semiotic poetry and luddism, visuality and graphism of verses. Finally, Radauš’s poetry is positioned as affiliated to Slavonian part of Croatian literature corpus and more closer, to literature of Šokci. This statement is verified by the use of the basic Panonian denotations of texts and dialects.
Descriptors
(NSK Kontrolirani rječnik)











Parallel keywords (Croatian)poetsko-poetičke odrednice etimoni povijest naslijeđe nasilje protopostmodernizam panonizam šokačka književnost
Versionaccepted version
Resource typetext
Access conditionAccess restricted to students and staff of home institution
Terms of usehttp://rightsstatements.org/vocab/InC/1.0/
Noteaccepted version
URN:NBNhttps://urn.nsk.hr/urn:nbn:hr:142:768882
CommitterGordana Gašo